Weary of Singing about Ourselves: Recovering the Neglected Dimension of Worship, Part 2

Admittedly, more than a little time has passed since my last blog.

But let’s think of this blog hiatus not so much as a matter of my being negligent, but more so of a long dramatic pause, in which anticipation has been building. Sort of like the year-long interlude between installments of The Hobbit or Hunger Game movies. 20131213_090610

This interruption raises some issues of continuity, of course, particularly because this instalment is a second part of a previous blog on worship. So it might be worth re-reading the first part. But without further ado, let’s get to it.

My contention to this point is that in Pentecostal (and broader popular evangelical) worship the subjective dimensions have been emphasized to the detriment of the objective. I’ve demonstrated what I mean by the “subjective” in my previous blog, namely having ourselves (humans) as the subject matter of our songs and prayers. Now I need to explain what I mean by “objective” and why it’s so crucial. Both aspects are necessary for properly formational worship, of course, but I think the objective dimension deserves priority.

By the objective dimension I am referring to God’s story being the focus, the subject matter, of our songs. This is the story we find in the Bible, and the story into which we find ourselves invited.

Subjectively-oriented worship songs highlight our personal relationship with God, through Christ by the Spirit, as an element of being included in God’s story. But this subjective dimension needs to be framed by God’s story lest we get the impression that all that matters is my personal relationship with God (and, more narrowly, the state of my internal psychological dispositions in that relationship). God’s story, the objective dimension of worship, is what gives meaning to the subjective dimension.

A focus on the objective dimension of worship means giving ample attention to God and his story. God’s story is found in Scripture. The Bible tells his story—his desires for humanity and creation, his plan, through Jesus, to redeem what has been broken and lost. The Bible does not simply make abstract statements about God (e.g., God is love), but places these in the context of a story that demonstrates the actions of God as, say, loving. What this means is that we don’t really know God unless we know his story. His story reveals his identity. Abstract concepts do not.

This implies that it is necessary but not sufficient simply to have the name “God,” “Father,” “Jesus,” or “Holy Spirit” in our songs. The subject matter of what we sing must not simply make offhand reference the proper names of God, but must actually revolve around God and his story. So, we need to ask ourselves about the subject matter of our songs. Is the song primarily about us or about God and his story? If the songs we sing in worship do not actually reiterate the story of God, then those singing will simply provide the content (from our imaginations) of what these names, or other abstract concepts, mean.

(So, it might not be a bad exercise to do a longer-term review of the songs regularly sung in our churches. In the past three months what has been the primary subject matter of our songs? God and his story, or us?)

The above may seem to be a fairly abstract way of talking about worship. But here’s what it practically implies for what we do when we gather together. In large part corporate worship is to be a reiteration or re-telling of the story of this God and his actions in history, with special attention given to the story of Jesus, through whom God’s redemptive plan is worked out. It is this that actually shapes the people of God to be what God wants them to be.

Assumed in what I’m saying here is a philosophical commitment that needs to be made explicit: I believe that worship needs to serve the ultimate purposes of discipleship and Christian formation. Worship ultimately serves discipleship. So, if worship is deficient, so too will be the discipleship of those regularly participating in that worship.

0924101413-00Here I’m not saying anything new. The church has always said that the “rule of prayer is the rule of faith.” In other words, the way we worship is what we believe; or, the way we worship shapes what we believe and who we are. But this means our worship needs to be theologically thoughtful and practically intentional—far more so than it often is.  A couple good resources on this are the late Robert Webber’s, Ancient-Future Worship, and from a more pentecostal angle (note the small “p”), Glenn Packiam’s Re-Forming Worship.

Worship, then, is to serve to regularly retell and even re-enact the story of God, so that we are again and again (and again) reminded of the God with whom we have to do. Only in this way will our individual lives as followers of Jesus be properly given context. We will be drawn into a story that is much bigger than our own lives, and a story that in fact gives our lives meaning. In short, worship will help form us into the people—corporately and individually—that God intends us to be.

And this can only happen if the primary subject matter of our worship is God.

This view might well raise some objections and questions—particularly from Pentecostals, who might object that this view sounds too cerebral. I promise that’s not what I’m suggesting. But we will need to wait to address such concerns until the next installment, which I promise (pinky-swear) will not be long in coming.

Weary of Singing about Ourselves: Recovering the Neglected Dimension of Worship, Part 1

iStock_000003277185XSmallI believe in worship. It is crucial to the Christian faith, and for the formation of both congregation and individual believer. What Christians do in worship tends to shape attitudes, beliefs and behaviour, perhaps even more so that listening to teaching or a sermon. So, worship is important. It’s so important that we should ask, from time to time, whether our worship is forming us into what God would want us to be(come). I’ve been asking myself that question. Here’s what I’ve concluded.

I believe a great deal of worship today is overly focused on us, and because of this it contributes to deficiencies in Christian formation.

Let me explain.

First, what do I mean by “worship”? I’m aware that in recent years there’s rightly been emphasis on “worship” being what Christians do (are supposed to do) in all of life. This is intended to deliver us from the notion that attention on God is something that only happens during church services, whereas in reality our whole life matters to God. I get it, and believe it. But here I’m addressing “worship” in its more narrow sense—the times Christians gather corporately to proclaim the worthiness of God through song, prayer, Scripture reading, and so forth. Even more narrowly, I have singing in view, since that has always been one of the favoured worship expressions in the church, especially within Pentecostalism.

Second, to narrow things still further, I’m primarily speaking to Pentecostals here. That is the tradition to which I belong, and overwhelmingly my church-going experience has been in Pentecostal churches. It’s familiar turf for me, and so I’m more confident in speaking to this subtradition. At the same time, evangelicals can probably be included here, since Pentecostalism has increasingly influenced the broader evangelical spectrum. (See here.) So, my thoughts likely apply to a wider Christian audience.

But enough of these preliminaries.

My belief, again, is this: our worship (singing) is, at times, excessively focussed on the ones doing the singing. Put another way, I mean that at all too frequently the subject matter of our songs proclaims our human story(ies), while too often neglecting the story of the one for whom we have gathered to worship, namely, God.

The songs I have in mind here are ones that emphasize our experience with God (usually personal, less often corporate—another issue I’ll take up another time). The lyrics frequently highlight our internal psychological state (i.e., how I feel about God, or my relationship with God, or even how I feel about how I’m feeling). With rare exception such songs are generally celebratory (not lamentations—how did those ever get into the Bible?!), emphasizing everything from personal life transformation to intimate ecstatic or even romantic moments with God. In short, these songs are often highly personal, internal, and emotion-focused. The content is primarily a reflection on one’s personal journey, and/or internal psychological states with regard to relationship with God. The subject matter of these songs is about us.

Now, human stories do provide an important element in worship—let’s call this the subjective dimension of worship. When we sing about our life of faith, our feelings about God and so forth, these are important expressions. Pentecostals have reminded the church globally that it’s right to celebrate God, and even testify concerning our experiences with God.

Pentecostals have always believed that spirituality involves more than the mind—the body and emotions also matter. And so worship involves not only mind, but also how we feel, and our physical gestures (hands raised, shouts, dance, tears, etc.). It is this physicality that has bled over into evangelicalism. Observe worship in many evangelical churches and services today, and you’ll notice people raising hands, moving their bodies, and proclaiming praises aloud. Such things are evidence of the Pentecostalization of evangelicalism.

Pentecostalism, in the early days at least, also prided itself on telling and hearing personal testimonies of how God was working in the lives of believers—bringing healing, conversions of a prodigal loved one, and fresh baptisms of the Spirit. In doing God became not simply a point of doctrine for many believers, but a living reality. God was one who was involved in all of human life, interrupting the course of things to transform and touch hearts, or to bring inspiration and healing. So, it only made sense to testify, robustly, about such experiences in word and song.

And all this is good—so far as it goes.

But testimonies, in word or song, especially once they become focussed on internal psychological dispositions, can lose their location in the broader and more important story for Christian formation: God’s story. Let’s call God’s story the objective dimension of our faith and worship. It is this dimension that I fear is largely being neglected to our long-term spiritual detriment.

I’m not sure of all the reasons, but we sometimes tend to believe that the best worship is that which expresses our personal feelings. Again, I’m not against expressing emotions in worship. After all, why wouldn’t we? And of course God wants us to be sincere in worship. But let’s not confuse heartfelt sincerity with worship that is in “spirit and truth,” as Jesus says (Jn. 4:24).

Let’s face it, sometimes worship songs can even become downright sappy. In my more cynical moments I’ve wondered if certain songs have been composed by a group of 16-year-old girls who have just watched the entire Twilight movie series in one sitting, replacing the name of some dreamy vampire with “Jesus” (if Jesus’ name appears at all—usually it’s just a pronoun: “he” or “you”).

Okay, enough cynicism. But let me provide one ironic illustration of how, even with our best intentions to focus on God, we still end up singing about ourselves: Matt Redmond’s 1999 song, “Heart of Worship.”

Yes, I’m aware of the background story to the composition of the song (see here: http://www.crosswalk.com/church/worship/song-story-matt-redmans-the-heart-of-worship-1253122.html). My point is not to dismiss the song. I think it’s a beautiful and meaningful song, and a testimonial of what God did in one situation, and quite likely needs to do in all our lives from time to time.

My point is that the song is ironic. A friend pointed this out to me a few years ago. Look at some of the lyrics.

When the music fades
And all is stripped away
And I simply come
Longing just to bring
Something that’s of worth
That will bless your heart

 I’ll bring You more than a song
For a song in itself
Is not what You have required
You search much deeper within
Through the ways things appear
You’re looking into my heart

I’m coming back to the heart of worship
And it’s all about You
All about You, Jesus
I’m sorry Lord for the thing I’ve made it
When it’s all about You
It’s all about You Jesus

The “heart of worship” is Jesus, according to the song. But the song is not about Jesus. The song is about a personal existential journey, away from being mesmerized by human performance to attention on the one for whom the music is being played. It’s a story about Matt Redmond, and based on how well the song caught on, a song about many, many of us. But the subject matter of the song is, overwhelmingly, not about Jesus, the heart of worship.

We are, I think, so used to the subjective dimension of worship—singing and hearing songs about our experience of God—that we simply might not realize we are sometimes neglectful of the objective dimension of worship. We are missing singing and hearing about God’s story. And it is detrimental to our spiritual formation, and the Christian faith.

That’s all for now (this is far too long as it is). I’ll say more about why I think this objective dimension is important in part 2 of this topic.